Why hello there, lovely readers. I have to admit I'm pretty bashful about writing this post for the obvious reason that it's been a long time since a review has gone up under my byline. That's been due to a string of real life annoyances that I won't bore you with, but I'm thrilled to be back, if still a bit self-conscious about my prolonged absence.
Anyways, today I'm delighted to be reviewing the magnificent Angels in America: A Gay Fantasia on National Themes by Tony Kushner. Angels in America is mega-play composed of two distinct, but complementary, plays, Angels in America: Millennium Approaches and Angels in America: Perestroika.
I first read Millennium Approaches back in college and loved it, so I jumped at the opportunity to re-read it and to finally tackle Perestroika, which has been on my 'need-to-read' list for quite a while.
I first read Millennium Approaches back in college and loved it, so I jumped at the opportunity to re-read it and to finally tackle Perestroika, which has been on my 'need-to-read' list for quite a while.
Although I have to admit I've struggled with how to adequately review Angels in America for the last few weeks. Why? For the simple fact that Angels in America is a masterpiece. Period. It's one of the most ambitious, funny, thoughtful, profound, and provocative pieces of literature you'll ever read. It's also one of the most important works of American drama ever written. So, frankly, you just have to read it.
But if I left my review at that, I imagine you might have any number of rightful questions such as "Um, okay...what is this two-part play thingie even about and what makes it so good?" So come and follow me over the jump as I try to explain just what I find so special about Angels in America.