For our second installment of Novellas for Monday, I give you Three Blind Mice, a murder mystery by Agatha Christie. The story started as a radio play, in 1947, and was later adapted into a stage play, in 1952 (the stage version is called The Mousetrap, and is famous for having run continuously since the opening).
Three Blind Mice is a rather typical murder mystery: several characters - Mrs. and Mr. Davis, Mrs. Boyle, Mr. Wren, Major Metcalf, Mr. Paravicini - find themselves isolated at a guest house during a snow storm; there is reason to believe one of them is a killer that plans to strike again; a detective shows up and starts investigating, suspecting everyone (and getting the reader to suspect everyone); new relationships form between the characters, old relationships are revealed; and, of course, there is a great unmasking at the end.
I am a big fan of Christie and I am always amazed at how she manages to make this formula compelling. I am also a bit of a deductive geek, and I spend a lot of time while reading mysteries trying to figure out as much as possible before everything's revealed. The reveal in Three Blind Mice took me completely by surprise (I am not a very successful deductive geek, turns out), but even if I had figured out the killer, I wouldn't have been bored. The way suspicion creeps between Molly and Giles, revealing the tensions and doubts in their marriage, for example, is a really interesting character moment that stands on its own even after the mystery is solved. So does Molly's choice to share her backstory with Christopher, or Mrs. Boyle's dissatisfaction with life's dullness during peace, after the excitement and authority she had gotten used to during the war.
There are two other aspects I like a lot: the use of weather as a narrative device, and the use of auditory imagery. The snow blizzard has a two-fold contribution to the story: it isolates the characters by having them snowed in at the guest house, and it creates suspicion, since everyone looks the same in heavy clothes.